This is an article culled from archive material, circa 1997.

OMS was originally the proprietary
Opcode MIDI System, complete
with expensive licensing and documentation, before political manouvering
and an inspired bluff by
Mark of the Unicorn
led to a rebadging as the
Open Music System.
It was developed by Doug Wyatt
with some of the original developers of
Apple's MIDI Manager.
I tend to regard it as a sophisticated version of MIDI
Manager, with good support for assorted interfaces, and centralised
storage of MIDI device names and locations. In addition, OMS supports
MIDI Manager by emulating a MIDI Manager driver (as shown
on the
MIDI Manager page), so that MIDI
Manager's inter-application routing can be used between OMS
applications. (OMS 1.2.3 does not support IAC directly.)
When configured with an interface such as the
Studio 4, OMS also provides an
extensive (if very slightly buggy)
MIDI routing/processing package
which effectively turns any keyboard into a sophisticated controller.
(Since OMS does all the work with the Studio 4, I wonder why this
functionality is not provided for conventional interfaces?)
OMS offered the first solution to
the infamous "PowerBook MIDI problems"
about which much has been written, most of it
factually incorrect. Having
purchased a
PowerBook 170
having been told by Apple that a (hardware) fix for the problem was
"in the works" (and having subsequently bought a
PowerBook 100
as an interim solution, since the '100 did MIDI reliably out of the box),
I owe a debt to Doug Wyatt for spending so much time and effort in
order to nail this problem.
OMS version 2 is now freely available from Opcode.
I have no interest in it, partly
because it offers me nothing I need, partly because it no longer runs
on a 68000-based machine like the PowerBook 100, and partly because
it is becoming big and complicated, complete with "cool icons". OMS
provides everything I need.