Gearhead/Apple MIDI Manager {!components/__archivelogo} {image:img=midimanager.gif|align=float-right} MIDI Manager dates from the time (1989?) when {link:Apple Computer|http://www.apple.com} believed that the professional music market was important and worth of some respect. MIDI Manager (or, more correctly, the ~~MIDI Management Tools~~) provided an extension to the Macintosh system which allowed MIDI applications to address the hardware in a high-level, portable manner. In fact, MIDI Manager applications could even communicate with one another, transparently, and could (in theory) work with new types of hardware, so long as the hardware vendors provided MIDI Manager drivers for their devices. MIDI Manager provided data transfer services (including message parsing), and some respectable timing functions, including timecode conversion. In fact, MIDI Manager worked extremely well, and I still make heavy use of it. It was small, simple and elegant. Politically, however, Apple managed to shoot themselves in the foot with it. ~~Apple Corps.~~, the Beatles' recording company, immediately took Apple to court over copyright infringement, since Apple Computer had licenced the name "Apple" for use in non-musical products. By the time the court case was concluded, several things had happened: MIDI Manager's developers had left, Opcode had developed [OMS|Gearhead/Opcode OMS], and Apple had lost interest in the music market. (The illustration shows MIDI Manager's ~~PatchBay~~ application (top) with OMS emulating a MIDI Manager driver (bottom).) These days, everyone has a MIDI operating system, and all the punters want lots of options, lots of features and lots of cool, coloured icons. Personally, I think MIDI Manager had it about right: small, simple and reliable. Other vendors could learn something here. 2005-10-09 13:01:12.962 2005-10-09 12:58:08.386 Sun Oct 09 12:58:24 UTC 2005 Sun Oct 09 12:58:49 UTC 2005