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        <s:name>Gearhead/Digital Music Corporation MX-8</s:name>
        <s:content>{!components/__archivelogo}&#xA;&#xA;One of the first and best-known MIDI patchbays, certainly in the US,&#xA;owing its success, at least in my opinion, to the fact that it makes&#xA;no attempt to be clever. It&apos;s primarily a 6-input, 8-output passive&#xA;patchbay (which means no interference or screw-ups), but there are two&#xA;virtual &quot;processors&quot; which provide simple MIDI processing&#xA;(channelising, delays, filtering, keyboard splits and so on); in&#xA;addition, the processors can be configured to provide 2-into-1&#xA;merging.&#xA;&#xA;The great benefit of this unit is its stupidity; with the MIDI&#xA;processors offline there is no firmware to get things wrong, although&#xA;I never had any problems with it even using the processors. A couple&#xA;of minor drawbacks: firstly, it is rather opaque to programme, and it&#xA;takes considerable clarity of thought to quickly comprehend displays&#xA;like&#xA;&#xA;{code:none}&#xA;IN  21M2A131  1&gt;A&#xA;OUT 12345678  2&gt;B&#xA;{code}&#xA;&#xA;Secondly, the unit transmits All Notes Off to all outputs when it&#xA;receives a program change to select configuration (which must be sent&#xA;to a processor); it is therefore not always possible to keep a virtual&#xA;connection running while changing configuration.&#xA;&#xA;This kind of device is all but obsolete these days, due to the&#xA;emergence of computer-based multiport interfaces, but given the&#xA;general flakiness of the latter, the MX-8 does have a certain appeal.&#xA;</s:content>
        <s:mTime>2005-10-10 19:12:36.0</s:mTime>
        <s:cTime>2005-10-10 19:12:22.0</s:cTime>
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                        <s:date>Mon Oct 10 19:12:36 UTC 2005</s:date>
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