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        <s:name>Gearhead/Roland MKS-7</s:name>
        <s:content>{!components/__archivelogo}&#xD;&#xA;&#xD;&#xA;{image:img=mks-7.gif|align=float-right}&#xD;&#xA;&#xD;&#xA;The MKS-7 &quot;Super Quartet&quot; is a rather old, large, heavy machine intended&#xD;&#xA;for multitimbral use. The voice architecture is strikingly similar to&#xD;&#xA;that of the [Juno-106|Gearhead/Roland Juno-106], although there are some differences: in particular, the MKS-7 is&#xD;&#xA;velocity-sensitive, but has weaker onboard chorusing and white noise&#xD;&#xA;generation. The system exclusive protocol is syntactically identical&#xD;&#xA;to that of the Juno, but semantically incompatible.&#xD;&#xA;&#xD;&#xA;The MKS-7 has seven synthesiser voices, plus the drum section. The&#xD;&#xA;synthesiser voices are spread between three sections (whose names I&apos;ve&#xD;&#xA;forgotten: there is a lead section, a chord section and a bass section).&#xD;&#xA;The drum section contains the voices of a ~~TR-707~~. The MKS-7 has&#xD;&#xA;no RAM patch memory, although it has a bank of ROM presets and three&#xD;&#xA;edit buffers.&#xD;&#xA;&#xD;&#xA;As a multitimbral module, the MKS-7 is gloriously underpowered for&#xD;&#xA;its sheer bulk. It sounds weaker than a Juno-106, has no patch memory,&#xD;&#xA;has very few voices, and minimal MIDI control. If you absolutely have to&#xD;&#xA;have a Juno-like module for a small amount of money, then consider it,&#xD;&#xA;but there are better modules around for the price.&#xD;&#xA;</s:content>
        <s:mTime>2005-10-09 13:16:19.566</s:mTime>
        <s:cTime>2005-10-09 13:15:49.311</s:cTime>
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                        <s:date>Sun Oct 09 13:16:07 UTC 2005</s:date>
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