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        <s:content>1 QUARTET&#xA;&#xA;Thursday 15 - Sunday 18 February, 2007&#xA;&#xA;Thursday - Saturday @ 7.30pm daily&#xA;&#xA;Sunday 18 February @ 5pm&#xA;&#xA;{link:http://www.quartetproject.net}&#xA;&#xA;&#xA;&#xA;The Great Hall, St Bartholomew&apos;s Hospital, Farringdon&#xA;&#xA;Tickets &amp; box office information: 020 7930 3647 / {link:http://www.ica.org.uk/}&#xA;&#xA;&#xA;&#xA;Movement is played across the senses of the human body.&#xA;&#xA;&#xA;&#xA;Informed by new scientific research in the field of physiology, this ICA&#xA;co-production is the culmination of several years&apos; collaborative research.&#xA;It is an investigation into the kineasthetics of music: determining&#xA;movements which produce sounds, which in turn produce new choreographies.&#xA;&#xA;&#xA;&#xA;Specialists from dance, music, biomedical and computational science, 3D&#xA;animation and motion control use cutting edge technology to experiment with&#xA;the ephemeral nature of real-time art. Virtual, mechanical and live&#xA;elements come together on stage in the Great Hall at St. Bartholomew&apos;s&#xA;Hospital, creating new choreographies from sensory data.  Three leading&#xA;choreographers - Lea Anderson, Russell Maliphant and Lisa Nelson - will&#xA;each shape sections of the performance.&#xA;&#xA;&#xA;&#xA;&#xA;Quartet&apos;s central figure, a virtual dancer, is an avatar of sensual&#xA;information, playing between its manifestation and its puppeteers. On stage&#xA;the interactions between the performers slip through different pairings,&#xA;trios, and quartets, such as the musician using the speed or acceleration&#xA;of her violin playing to duet with the real dancer; or a trio between the&#xA;real and virtual dancers and the robot camera, exploring the choreography&#xA;of cinematic space: the poetics of looking and moving. This interplay&#xA;uncovers the tensions within the transfer of data.&#xA;&#xA;&#xA;&#xA;The project presents a versatile and flexible creative process for&#xA;experimenting with cause and effect in multiple media; an insight into what&#xA;it means to transform one medium or gesture into a completely different&#xA;one; a redefinition of interaction through music and dance.&#xA;&#xA;&#xA;&#xA;Quartet invites the audience to observe the similarities between the&#xA;movements of the virtual figure and the real dancer, and between musical&#xA;elements. The performance will allow the audience to experience contrasts&#xA;between different synesthetic responses to visual and oral expression.&#xA;&#xA;&#xA;&#xA;The results will be magical, revealing the audience and performers in a&#xA;wholly new way.&#xA;&#xA;&#xA;&#xA;Quartet has been funded by Sciart Production Awards 2005-6 for the Wellcome&#xA;Trust in collaboration with the Physiological Laboratory at Cambridge&#xA;University and the Arts Council of England. It is co-produced by Live and&#xA;Media Arts Department at the Institute of Contemporary Arts, London, with&#xA;support from the Australia Council for the Arts, Arts Victoria, and ZKM&#xA;Center for Art and Technology, Germany.&#xA;&#xA;&#xA;&#xA;Further press information:&#xA;&#xA;Louise Hojer&#xA;&#xA;louisehojer@yahoo.co.uk&#xA;&#xA;&#xA;&#xA;Notes to Editors:&#xA;&#xA;&#xA;&#xA;&#xA;Information about the artists&#xA;&#xA;&#xA;Margie Medlin (Director) is an artist and designer and film-maker leading&#xA;the field of dance and the moving image.&#xA;&#xA;Stevie Wishart (Musical Director and Composer) is a composer and performer&#xA;of violin, hurdy-gurdy, voice and electronics.&#xA;&#xA;Holger Deuter (3D character designer) is an animator, 3D designer, and has&#xA;expertise in motion capture, digital composition.&#xA;&#xA;Nick Rothwell (Interface Designer and Systems Development) is a Computer&#xA;Scientist and Digital Media Artist working in the field of electronic&#xA;music, responsive artworks and systems programming.&#xA;&#xA;Gerald Thompson (Motion Control Camera Designer) works in the film industry&#xA;specialising in motion control and digital effects.&#xA;&#xA;Todor Todoroff (Sound and Gesture Systems Engineer) is an electrical&#xA;engineer specialized in sensor design, digital signal processing, sound&#xA;design, and interactive systems for performance.&#xA;&#xA;Lea Anderson (Choreographer) has choreographed over 100 original works for&#xA;her companies and is founder and Artistic Director of the Cholmondeleys and&#xA;The Featherstonehaughs.&#xA;&#xA;Rebecca Hilton (Choreographer) is an Australian based movement consultant&#xA;for the development stages.&#xA;&#xA;Russell Maliphant&apos;s (Choreographer) awards include Critics Choice Award&#xA;2005, South Bank Show Award for Dance 2006 and Laurence Olivier Award for&#xA;best new dance production 2006.&#xA;&#xA;Lisa Nelson (Choreographer) works internationally as dance-maker and&#xA;improvisational performer.&#xA;&#xA;Carlee Mellow (Dancer) continues to work with many Australian&#xA;choreographers in addition to the creation of her own works.&#xA;&#xA;&#xA;&#xA;&#xA;Other Partners&#xA;&#xA;&#xA;Quartet is part funded by a Sciart Production Award (2005-2006) from the&#xA;Wellcome Trust in collaboration with The Physiological Laboratory,&#xA;Cambridge University.&#xA;&#xA;Quartet is Co-produced with the Live and Media Arts department of the&#xA;Institute of Contemporary Art, London (ICA).&#xA;&#xA;Other funding partners include: The Arts Council of England; Arts Victoria&#xA;Cultural Exchange program.; The New Media Board; International Community&#xA;Partnerships; and Market Development of the Australia Council for the Arts.&#xA;&#xA;With project support from:&#xA;&#xA;ZKM, Zentrum fuer Kunst und Medientechnologie. Germany.&#xA;&#xA;STEIM &quot;Studio for Electro Instrumental Music&quot; Holland.&#xA;&#xA;ART ZOYD Centre Transfrontalier de Production et de Cr?ation Musicales,&#xA;Valenciennes, France,&#xA;&#xA;ARTeM (Art, Recherche, Technologie et Musique), Belgium&#xA;&#xA;Hartware MedienKunstVerein, Dortmund, Germany.&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Claire Gascoyne&#xA;&#xA;ICA Press Office&#xA;&#xA;020 7766 1406&#xA;&#xA;</s:content>
        <s:mTime>2007-01-21 17:59:35.0</s:mTime>
        <s:cTime>2007-01-21 17:58:02.0</s:cTime>
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