On November 8th I’m doing visuals and sound for two unrelated dance performances: Hacking Choreography 2.0 (with Kate Sicchio and Tara Baker) and Ring the Changes+ (with Chisato Minamimura and body>data>space), both as part of the Networked Bodies weekend at Watermans. Hacking was shown earlier this year in Brussels as a project supported by ICT & Art Connect; Changes was premiered at the Southbank Centre in September. The software platforms are completely different (Field vs. Quil – although both performances are Clojure-based), as are the projector rigs, so the setup/rehearsal schedule and changeover are going to be interesting. To add a bit more excitement, Kate and I will be simultaneously live-coding the same running system for Hacking during the performance (me on-stage, Kate NREPL’d in from New York).
Tickets available (for the performances, and for other events in the Networked Bodies weekend) here.
(Photos: Dann Emmons (L), Roswitha Chesher (R).)
Next weekend, I’ve been invited to present at a panel session at the Live Coding and the Body symposium at the University of Sussex. The event kicks off on the 4th with an Algorave. Alternatively, if you find yourself somewhat further north on the 4th, Tara Baker is performing Hacking Choreography 2.0 at Unusual Connections, Yorkshire Dance. (For a taste, see the Live Coding poster above, featuring a still from our recent development residency.)
Kate Sicchio and I were recently awarded a European ICT & Art Connect residency to develop ideas involving the combination of choreographic technique with software structuring: how does “thinking in code” influence “thinking in dance”? The result incorporates a Neville Brody-inspired animation system which transforms time-based Clojure DSL data structures into geometric textual designs projected onto the dance floor (and, sporadically, onto our dancer, Tara Baker). We are showing the performance work at FoAM in Brussels on Sunday, and presenting at the European Parliament on Monday.
(Photo credit: Dann Emmons.)